“上海设计10×10”是上海美术学院基于设计学学科使命的“上海设计”概念上建设的展览与交流项目,以“建构平台”“汇聚能量”“相互砥砺”“共创未来”为理念,集结遍布世界各地、历史悠久、跨越大洲、拥有顶级影响力的设计大赛组织及设计机构,每两年内分别举办“上海设计10×10全球大奖展”“上海设计10×10全球设计高峰会”。意在搭建全球设计交流平台,立足上海、放眼全球,提升上海设计之都“上海设计”的全球影响力。通过展览、论坛、工作坊、出版等不同维度,建构连结全球设计“大赛×大奖×大师×大作”的最佳平台,形塑全球设计大奖交流互动的顶级殿堂。同时,与世界顶尖设计大赛组织及设计机构建立合作关系,汇聚全球设计精华。 Based on the mission of the design discipline, Shanghai Academy of Fine Arts has established the exhibition and exchange project of “Shanghai Design 10×10” on the concept of "Shanghai Design". Under the concept of “constructing platform”, “concentrating energy”, “mutually enthusiasm” and “creating the future together”, “Shanghai Design 10×10” gathers design competition organizations and design institutions with worldwide, long-standing, crossing four continents and top influences, and holds “Shanghai Design 10×10 Global Award Exhibition” and “Shanghai Design 10×10 Global Design Summit” every two years. With the base of Shanghai and the global view, the events aim to build an international design exchange platform and enhance the design competitiveness of Shanghai Design Capital. Through exhibitions, forums, publications and other different dimensions, the event is built into the best platform to connect the global design “big competitions, grand prizes, masters, great works”, and has become the top hall for communication and interaction of global design awards. At the same time, “Shanghai Design 10×10” has established cooperative relationships with the world's top design competition organizations and design institutions, bringing together the essence of global design.
“2023上海设计10×10”包含“全球设计高峰会”和“全球设计工作坊”两部分,日期为12月9日-12月12日。 "2023 Shanghai Design 10 ×10" is included two parts: "Global Design Summit" and "Global Design Workshop", with a duration from December 9th to December 12th.
指导单位: 上海大学
主办单位: 上海美术学院
学术指导单位: 上海市创意设计工作者协会
总顾问: 冯远、曾成钢
总策划: 陈青、林磐耸
总协调: 金江波、毛冬华
工作委员会: 陈静、宋国栓、曹俊、翟庆喜、程雪松、章莉莉、王海松
执行总监: 陆丹丹
项目监理: 张璟、蔡文超、成义祺
项目统筹:牛晨光、宋洁、潘敏晔、周红光、董顺琪、卢杨、芮希彦、舒眉、孟小坤、郁竟成、陈静、张晓萍
执行团队: 王蒙、李超、李明星、马俊、宋培铭、章顺凯
工作坊合作导师: 张璟、成义祺、蔡文超、王蒙、李超、乐丽君、宋天颐、马俊、张腾、范佳敏
工作坊助教:黎映川、宋培铭、逸馨、刘颖、刘样、周仁晗、李文婷、朱诗屹、周颖、渠可玚、徐佳仪、吴欣怡
视觉设计&空间设计: 蔡文超 (相对态 Relative State Design)
数字展厅: 梅数植 (702 Design)、李坚
项目助理: 秦方圆、江珊、宋培铭、刘颖、张潇少淇、曹紫璇、王静怡、田济豪、马诗雯、吴妍诺、冯怡然、徐雪桐、吴淑妍、章顺凯
官方媒体:新华网、解放日报、文汇报、新民晚报、新闻晨报、上海教育电视台、中新社、光明网、澎湃新闻、SMG看看新闻
专业媒体:陆俊毅_设计现场、Design360°、hiiibrand、最设计、雅昌网、凃志初自媒体
Guidance unit: Shanghai University
Organizer: Shanghai Academy of Fine Arts
Academic guidance unit: Shanghai Designers Association
General Advisors: Feng Yuan, Zeng Chenggang
Chief Planner: Chen Qing, Apex Lin, Pang-Soong
General Coordinator: Jin Jiangbo, Mao Donghua
Working Committee: Chen Jing, Song Guoshuan, Cao Jun, Zhai Qingxi, Cheng Xuesong, Zhang Lili, Wang Haisong
Executive Director: Lu Dandan
Project Supervision: Zhang Jing, Cai Wenchao, Cheng Yiqi
Project Coordinator: Niu Chenguang, Song Jie, Pan Minye, Zhou Hongguang, Dong Shunqi, Lu Yang, Rui Xiyan, Shu Mei, Meng Xiaokun, Yu Jingcheng, Chen Jing, Zhang Xiaoping
Executive Team: Wang Meng, Li Chao, Li Mingxing, Ma Jun, Song Peiming, Zhang Shunkai
Workshop Collaborating Mentors: Zhang Jing, Cheng Yiqi, Cai Wenchao, Wang Meng, Li Chao, Le Lijun, Song Tianyi, Ma Jun, Zhang Teng, Fan Jiamin
Workshop Assistants: Li Yingchuan, Song Peiming, Yi Xin, Liu Ying, Liu Yang, Zhou Renhan, Li Wenting, Zhu Shiyi, Zhou Ying, Qu Keying, Xu Jiayi, Wu Xinyi
Visual Design & Space Design: Cai Wenchao (Relative State Design)
Digital Exhibition Hall: Mei Shuzhi (702 Design), Li Jian
Project Assistants: Qin Fangyuan, Jiang Shan, Song Peiming, Liu Ying, Zhang Xiaoshaoqi, Cao Zixuan, Wang Jingyi, Tian Jihao, Ma Shiwen, Wu Yannuo, Feng Yiran, Xu Xuetong, Wu Shuyan, Zhang Shunkai
Official media: CCTV, Xinhuanet, Jiefang Daily, Wenhui Daily, Xinmin Evening News, Shanghai Morning Post, SETV, China News, Gmw.cn, ThePaper.cn, SMG Knews
Professional Media: Lu Junyi_ Designlive, Design 360 °, hiiibrand, AD518.com, Atrron.net, Tu Zhichu_ Design We Media
上海大学上海美术学院
上海市宝山区上大路99号
310015
联系邮箱
Shanghaisheji@163.com
微信公众号
合作媒体:
Shanghai Academy of Fine Arts, 99 Shangda Road, Baoshan District, Shanghai
310015
Contact
Shanghaisheji@163.com
WeChat Official Accounts
Media:
凃志初_设计自媒体Tu Zhichu_Design We Media
2023“上海设计 10×10”全球大奖展
最终解释权归“上海设计 10×10 ”组委会所有
The final right of interpretation of the 2023 Shanghai Design 10×10 Global Awards Exhibition belongs to the “Shanghai Design 10×10” Organising Committee.
“上海设计10×10”是上海美术学院基于设计学学科使命的“上海设计”概念上建设的展览与交流项目,以“建构平台”“汇聚能量”“相互砥砺”“共创未来”为理念,集结遍布世界各地、历史悠久、跨越大洲、拥有顶级影响力的设计大赛组织及设计机构,每两年内分别举办“上海设计10×10全球大奖展”“上海设计10×10全球设计高峰会”。意在搭建全球设计交流平台,立足上海、放眼全球,提升上海设计之都“上海设计”的全球影响力。通过展览、论坛、工作坊、出版等不同维度,建构连结全球设计“大赛×大奖×大师×大作”的最佳平台,形塑全球设计大奖交流互动的顶级殿堂。同时,与世界顶尖设计大赛组织及设计机构建立合作关系,汇聚全球设计精华。 Based on the mission of the design discipline, Shanghai Academy of Fine Arts has established the exhibition and exchange project of “Shanghai Design 10×10” on the concept of "Shanghai Design". Under the concept of “constructing platform”, “concentrating energy”, “mutually enthusiasm” and “creating the future together”, “Shanghai Design 10×10” gathers design competition organizations and design institutions with worldwide, long-standing, crossing four continents and top influences, and holds “Shanghai Design 10×10 Global Award Exhibition” and “Shanghai Design 10×10 Global Design Summit” every two years. With the base of Shanghai and the global view, the events aim to build an international design exchange platform and enhance the design competitiveness of Shanghai Design Capital. Through exhibitions, forums, publications and other different dimensions, the event is built into the best platform to connect the global design “big competitions, grand prizes, masters, great works”, and has become the top hall for communication and interaction of global design awards. At the same time, “Shanghai Design 10×10” has established cooperative relationships with the world's top design competition organizations and design institutions, bringing together the essence of global design.
“2023上海设计10×10”包含“全球设计高峰会”和“全球设计工作坊”两部分,日期为12月9日-12月12日。 "2023 Shanghai Design 10 ×10" is included two parts: "Global Design Summit" and "Global Design Workshop", with a duration from December 9th to December 12th.
指导单位: 上海大学
主办单位: 上海美术学院
学术指导单位: 上海市创意设计工作者协会
总顾问: 冯远、曾成钢
总策划: 陈青、林磐耸
总协调: 金江波、毛冬华
工作委员会: 陈静、宋国栓、曹俊、翟庆喜、程雪松、章莉莉、王海松
执行总监: 陆丹丹
项目监理: 张璟、蔡文超、成义祺
项目统筹:牛晨光、宋洁、潘敏晔、周红光、董顺琪、卢杨、芮希彦、舒眉、孟小坤、郁竟成、陈静、张晓萍
执行团队: 王蒙、李超、李明星、马俊、宋培铭、章顺凯
工作坊合作导师: 张璟、成义祺、蔡文超、王蒙、李超、乐丽君、宋天颐、马俊、张腾、范佳敏
工作坊助教:黎映川、宋培铭、逸馨、刘颖、刘样、周仁晗、李文婷、朱诗屹、周颖、渠可玚、徐佳仪、吴欣怡
视觉设计&空间设计: 蔡文超 (相对态 Relative State Design)
数字展厅: 梅数植 (702 Design)、李坚
项目助理: 秦方圆、江珊、宋培铭、刘颖、张潇少淇、曹紫璇、王静怡、田济豪、马诗雯、吴妍诺、冯怡然、徐雪桐、吴淑妍、章顺凯
官方媒体:新华网、解放日报、文汇报、新民晚报、新闻晨报、上海教育电视台、中新社、光明网、澎湃新闻、SMG看看新闻
专业媒体:陆俊毅_设计现场、Design360°、hiiibrand、最设计、雅昌网、凃志初自媒体
Guidance unit: Shanghai University
Organizer: Shanghai Academy of Fine Arts
Academic guidance unit: Shanghai Designers Association
General Advisors: Feng Yuan, Zeng Chenggang
Chief Planner: Chen Qing, Apex Lin, Pang-Soong
General Coordinator: Jin Jiangbo, Mao Donghua
Working Committee: Chen Jing, Song Guoshuan, Cao Jun, Zhai Qingxi, Cheng Xuesong, Zhang Lili, Wang Haisong
Executive Director: Lu Dandan
Project Supervision: Zhang Jing, Cai Wenchao, Cheng Yiqi
Project Coordinator: Niu Chenguang, Song Jie, Pan Minye, Zhou Hongguang, Dong Shunqi, Lu Yang, Rui Xiyan, Shu Mei, Meng Xiaokun, Yu Jingcheng, Chen Jing, Zhang Xiaoping
Executive Team: Wang Meng, Li Chao, Li Mingxing, Ma Jun, Song Peiming, Zhang Shunkai
Workshop Collaborating Mentors: Zhang Jing, Cheng Yiqi, Cai Wenchao, Wang Meng, Li Chao, Le Lijun, Song Tianyi, Ma Jun, Zhang Teng, Fan Jiamin
Workshop Assistants: Li Yingchuan, Song Peiming, Yi Xin, Liu Ying, Liu Yang, Zhou Renhan, Li Wenting, Zhu Shiyi, Zhou Ying, Qu Keying, Xu Jiayi, Wu Xinyi
Visual Design & Space Design: Cai Wenchao (Relative State Design)
Digital Exhibition Hall: Mei Shuzhi (702 Design), Li Jian
Project Assistants: Qin Fangyuan, Jiang Shan, Song Peiming, Liu Ying, Zhang Xiaoshaoqi, Cao Zixuan, Wang Jingyi, Tian Jihao, Ma Shiwen, Wu Yannuo, Feng Yiran, Xu Xuetong, Wu Shuyan, Zhang Shunkai
Official media: CCTV, Xinhuanet, Jiefang Daily, Wenhui Daily, Xinmin Evening News, Shanghai Morning Post, SETV, China News, Gmw.cn, ThePaper.cn, SMG Knews
Professional Media: Lu Junyi_ Designlive, Design 360 °, hiiibrand, AD518.com, Atrron.net, Tu Zhichu_ Design We Media
上海大学上海美术学院
上海市宝山区上大路99号
310015
联系邮箱
Shanghaisheji@163.com
微信公众号
合作媒体:
Shanghai Academy of Fine Arts, 99 Shangda Road, Baoshan District, Shanghai
310015
Contact
Shanghaisheji@163.com
WeChat Official Accounts
Media:
凃志初_设计自媒体Tu Zhichu_Design We Media
2023“上海设计 10×10”全球大奖展
最终解释权归“上海设计 10×10 ”组委会所有
The final right of interpretation of the 2023 Shanghai Design 10×10 Global Awards Exhibition belongs to the “Shanghai Design 10×10” Organising Committee.
伊斯特拉橄榄油
Studio Tumpić
克罗地亚
ADC 金立方奖
Istriana的包装设计强调了与过去的联系。伊斯特拉(Istria)是克罗地亚的一个地区,Istriana的橄榄油就是在这里种植的。伊斯特拉曾是罗马帝国的一个重要组成部分,以其出口到整个帝国的高质量橄榄油而闻名。其卓越品质甚至在古罗马碑文中也有提及。随着帝国的衰落,伊斯特拉不再享有罗马时期的声誉。然而,在90年代,它逐渐通过满足生产顶级橄榄油的所有要求,重新确立了其作为世界上最佳橄榄油种植区之一的地位。我们将古代用于储油的陶罐与现代酒瓶相结合,在这两个时期之间建立了联系。此外,陶罐的形状与当时伊斯特拉使用的陶罐完全相同。我们选择展示其碎片,然后有意义地将这些陶土碎片重新组装起来,这正如伊斯特拉的橄榄种植传统得以复兴一样。
酒瓶设计上的裂纹是深色玻璃,如果仔细观察,可以看到瓶内的内容物。在这个意义上,我们想强调橄榄油作为将这些不同碎片连接在一起的粘合剂的作用。标志结合了衬线字体和无衬线字体,以反映罗马的过去和现代性。这款橄榄油产品的颜色由其土地和传统决定。伊斯特拉地区有四种土壤类型:黑色、白色、灰色和红色。Istriana橄榄油生长的土壤是红色的,因此颜色的选择显而易见。此外,陶罐的土黄色与红土的颜色相匹配。我们还在油漆中混合了少量实际的伊斯特拉土壤。因此,每位买家实际上都握有伊斯特拉土地的一片。
Istriana
Studio Tumpić
Croatia
Gold
The Istriana’s package design emphasizes the connection with the past. Istria, the Croatian’s region where Istriana’s olive oils are grown, was formerly an important part of the Roman Empire, noted for the high quality of olive oil exported across the empire. Its excellence was even mentioned in ancient Roman inscriptions. With the fall of the Empire, Istria no longer enjoyed the reputation it had during the Roman period. However, in the 90s, it gradually reaffirmed its status as one of the world’s best olive growing regions, by meeting all the requirements for creating top quality olive oil. By combining the amphorae used to store oil with today’s bottles, we created a link between these two periods. Furthermore, the amphorae's shape is identical to those used in Istria at the time. We chose to present its fragments and then meaningfully reassemble those clay pieces, much as how the olive growing tradition in Istria was revived.
Cracks in bottle design are dark glass which, if looked closely, allow us to see the bottle contents. In that sense, we wanted to highlight the idea that olive oil serves as a binder that holds these various fragments together. The logo combines serif and non-serif fonts to reflect both the Roman past and modernity. The color of this olive oil product is determined by its land and tradition. The Istrian land has four varieties of soil: black, white, gray, and red. The soil in which Istriana olive oils grow is red, therefore the color choice was obvious. Additionally, the terracotta color of the amphorae matches the color of the red soil. We mixed a small amount of actual Istrian soil with the paint as well. As a result, each buyer is actually holding a piece of Istrian land.